Every century has its giants, but when we asked readers to list their favorite buildings of all time, the majority of the votes went to the innovative structures of the twentieth century. Not surprisingly, the winning buildings are ones that have been widely written about and photographed. As one reader commented, "I just wonder if we've overlooked some obvious simple building... one that was so influential we look right past it to the more glamorous?" What do you think?
Spanish architect Antoni Gaudi defied rigid geometry when he designed Casa Mila Barcelona. Casa Mila Barcelona is an apartment building with a fanciful aura. Wavy walls seem to undulate and a comical array of chimney stacks dance across the roof. "The straight line belongs to men, the curved one to God," Gaudi asserted.
Designed by architects Reed and Stern and Warren and Wetmore, the $43 million dollar Grand Central terminal building in New York City featured lavish marble work and a domed ceiling with 2,500 twinkling stars.
Architect William Van Alen lavished the 77-story Chrysler Building with automotive ornaments and classic art deco zigzags. Soaring 319 meters / 1,046 feet, the Chrysler Building was the tallest building in the world... for a few months.
When it was built, the Empire State Building in New York City broke world records for building height. Reaching a height of 381 meters / 1,250 feet, it rose above the Chrysler Building. Even today, the Empire State Building is nothing to sneeze at, ranking within the top 10 for building height. The designers were architects Shreve, Lamb and Harmon.
Frank Lloyd Wright fooled gravity when he designed Fallingwater. What seems to be a loose pile of concrete slabs threatens to topple from its cliff. The house is not really precarious, but visitors are still awed by the improbable structure.
Frank Lloyd Wright redefined space with the Johnson Wax Building in Racine, Wisconsin. Inside the Johnson Wax Building, opaque layers of glass tubes admit light and create the illusion of openness. "Interior space comes free," Wright said of his masterpiece. Wright also designed the original furniture for the building. Some chairs had only three legs, and would tip over if a forgetful secretary did not sit with correct posture.
Hovering in a green landscape, the Farnsworth House by Ludwig Mies van der Rohe is often celebrated as his most perfect expression of the International Style. All the exterior walls are glass.
Jorn Utzon broke the rules with his modern expressionist Sidney Opera House in Australia. Overlooking the harbor, the Opera House is a freestanding sculpture of spherical roofs and curved shapes. A scandalous political affair forced architect John Utzon to withdraw from the project in 1966. The Opera house was completed by other designers under the direction of Peter Hall.
Ludwig Mies van der Rohe and Philip Johnson rejected "bourgeois" ornamentation when they designed the Seagram Building in New York City. A shimmering tower of glass and bronze, the Seagram Building is both classical and stark. Metallic beams emphasize the height of the 38-story skyscraper, while a base of granite pillars leads to horizontal bands of bronze plating and bronze-tinted glass.
Designed by Minoru Yamasaki, New York's World Trade consisted of two 110-story buildings (known as the "Twin Towers") and five smaller buildings. Soaring above the New York skyline, the Twin Towers were among the tallest buildings in the world. When the buildings were constructed, their design was often criticized, but in the aftermath of their destruction, they became a valuable part of America's cultural heritage.
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